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Momenta is pleased to present Cloud Cuckoo Land (2008), a collaborative video and sculptural installation by Erik Moskowitz and Amanda Trager. The piece will be on view at Momenta through December 1st; then it will travel to Miami as a special project on view at the PULSE art fair Dec. 3-7. The video will also be screened as part of the Les Recontres Internationales in Paris with a screening at the Pompidou Center and at the Jeu de Paume on Nov. 28 and Dec. 4. The lead roles in the video are played by Moskowitz and Trager with Joan Jonas, Robert Janitz, and Ronnie Bass featured in the supporting cast. The seductive cinematography and richly layered music of the video will be shown within an environment of objects that served as a set for filming. These include a number of wall-sized semi-transparent photographic scrims that will describe a domestic interior within the gallery. The translucency of the scrims allows viewers to watch other viewers as they move between divisions, one room of the set bleeding into the next. Additional objects, with skewed proportions and unconventional relations to space, further dissolve physical boundaries. A more uncanny dissolution occurs when the characters open their mouths to speak. The timing of the footage has been altered to a dissociating effect. The actors haltingly mouth their dialogue, individual voices replaced by a unifying soundtrack sung by the artists. The title of the piece, Cloud Cuckoo Land is taken from the Aristophanesí play The Birds, which first put the possibility of progress (and the goal of Utopia) into doubt. The narrative encompasses a familyís move to a contemporary, progressive commune in which the central character is confronted by her own intolerance and inability to let go of the conventions of individualized life. The familiar boundaries to which she clings and the unclear spatial relations within the gallery coalesce and call into question how we envision comfort and safety both societally and psychologically. In creating the work, these boundaries were actively tested by the artists. Trager and Moskowitz, themselves a couple, shared their home/studio with co-performer Robert Janitz during the period of time in which they developed this piece. Artifacts of this living arrangement, redolent of the mundane tensions of an unconventional ìfamily-lifeî remain in the installation, functioning as a nearly hidden narrative-within-a-narrative. These artifacts of a lived experience make Cloud Cuckoo Land as authentic as it is critical.
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